David Mamet Net Worth is$20 Million
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Profession: Film Director | Screenwriter | Writer | Playwright | Television Producer | Film Producer | Television Director | Author | Essayist
Date of Birth: 1947-11-30
Nicknames: David Alan Mamet, Richard Weisz
Height: 1.68 m
Ethnicity: Jewish people
Country: Chicago
David Mamet net worth: David Mamet is an American playwright, screenwriter, and director who has a net worth of $20 million dollars. David Mamet was born in Chicago, Illinois, and graduated from Goddard College. He began to make a name for himself as a playwright in the mid-70s, beginning with a series of Off-Broadway productions that he wrote - "The Duck Variations", "Sexual Perversity in Chicago", and "American Buffalo". He is most widely recognized for his 1983 Broadway play, "Glengarry Glen Ross", which was later turned into a successful film, and for the psychological thriller, "Oleanna", which was also adapted for film. He also wrote the screenplays for such films as "The Postman Always Rings Twice", "The Untouchables", "Hoffa", "Wag the Dog", and "Hannibal". He co-founded Atlantic Theater Company in the mid-80s in New York City. He has won numerous awards for his work, including the Pulitzer Prize. He has also been nominated for two Tony Awards and for two Oscars.
David Alan Mamet (/??m??m??t/; born November 30, 1947) is an American playwright, essayist, screenwriter, and film director.
As a playwright, Mamet has won a Pulitzer Prize and received Tony nominations for Glengarry Glen Ross (1984) and Speed-the-Plow (1988). As a screenwriter, he has received Oscar nominations for The Verdict (1982) and Wag the Dog (1997). Mamet's books include: The Old Religion (1997), a novel about the lynching of Leo Frank; Five Cities of Refuge: Weekly Reflections on Genesis, Exodus, Leviticus, Numbers and Deuteronomy (2004), a Torah commentary with Rabbi Lawrence Kushner; The Wicked Son (2006), a study of Jewish self-hatred and antisemitism; Bambi vs. Godzilla, a commentary on the movie business; and The Secret Knowledge: On the Dismantling of American Culture (2011), a commentary on cultural and political issues.
Mamet's feature films that he both wrote and directed include Redbelt (2008), The Spanish Prisoner (1997), House of Games (1987) (which won Best Film and Best Screenplay awards at the 1987 Venice Film Festival and "Film of the Year" for the 1989 London Critics Circle Film Awards), Spartan (2004), Heist (2001), State and Main (2000) (Winner of a Best Acting - Ensemble award from the National Board of Review), The Winslow Boy (1999), Oleanna (1994), Homicide (1991) (nominated for the Palme d'Or at 1991 Cannes Film Festival and won a "Screenwriter of the Year" award for Mamet from the London Critics Circle Film Awards and Best Cinematography for Roger Deakins from the Los Angeles Film Critics Association Awards), Things Change (1988) (which won the Volpi Cup for Best Actor at 1988 Venice Film Festival for Don Ameche and Joe Mantegna), and most recently the 2013 HBO film Phil Spector, starring Al Pacino as Spector with Helen Mirren and Jeffrey Tambor.
Mamet has also written the screenplays for such films as The Verdict (1982), directed by Sidney Lumet, The Postman Always Rings Twice (1981), directed by Bob Rafelson, The Untouch

David Mamet Latest News

David Mamet pokes fun at improvisation and gluten (but avoids politics)

That wasn’t the case, however, with one of Hollywood’s few public conservatives: playwright, screenwriter and director David Mamet. While it seemed like everything but the Venice Film Festival (Mamet explained he didn’t want to jinx his future ...
Posted: October 18, 2016, 11:59 pm

Performers Under Stress go profane and surreal

Scott Baker, artistic director of Performers Under Stress, describes his company’s latest, “Black River Falls,” as what might happen “if David Mamet or Sam Shepard wrote ‘That ’70s Show.’” Set in rural Wisconsin, the script features both ...
Posted: October 26, 2016, 5:06 pm

Rome Film Fest: David Mamet Pokes Fun at Improvisation and Gluten (But Avoids Politics)

Despite indulging in his signature political incorrectness, the topic of Donald Trump was off limits for the Pulitzer Prize-winning playwright. Wrapping up just two-and-a-half weeks before the U.S. presidential election, the Rome Film Fest has put politics ...
Posted: October 18, 2016, 8:28 pm
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