Fiorenza Cossotto Net Worth is$20 Million
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Profession: Singer
Date of Birth: Apr 22, 1935
Nicknames: Cossotto, Fiorenza
Country: Italy
Fiorenza Cossotto is an Italian opera singer with a net worth of $20 million. Fiorenza Cossotto acquired that net worth as one of the best mezzo-sopranos from the 20th century. She was born in Crescentino in the Province of Vercelli, Italy. Cossotto studied at the Turin Academy of Music and made her debut in 1957.
Fiorenza Cossotto (born on April 22, 1935) is an Italian mezzo soprano. She is considered by many to be one of the great mezzo-sopranos of the 20th century.
Born on April 22, 1935 in Crescentino,Province of Vercelli, Italy, Cossotto attended the Turin Academy of Music and graduated top of her class. After her studies with Mercedes Llopart, she made her operatic debut as Sister Matilde in the world premiere of Poulenc's Dialogues of the Carmelites in 1957 at La Scala in Milan. Her international debut was at the 1958 Wexford Festival as Giovanna Seymour in Donizetti's Anna Bolena. Her Covent Garden debut was in 1959 as Neris in Cherubini's M'ed'ee, with Maria Callas in the title role. A 1962 performance of the lead in La favorita at La Scala led to wider fame and she made her American debut in the same role in 1964 at the Lyric Opera of Chicago and as Amneris at the Metropolitan Opera in 1968.
Altogether between the seasons of 1967-68 and 1988-89 she gave 148 performances at the Met (exclusively leading roles). She was considered an expert in portrayals of heavy Italian roles of the middle 19th century e.g. Favorita, Amneris, Azucena, Eboli, Preziosilla, Maddalena, Ulrica, and Laura. She also essayed Carmen, Mozart's Cherubino, Urbain in Meyerbeer's Les Huguenots, Bellini's Romeo and Marfa in Khovantschina.
She kept on singing, and in 2005 she celebrated her 70th birthday with a performance of Suor Angelica at the Th'e^atre Royal in Li`ege, Belgium.
She was married to the Italian bass Ivo Vinco for over 40 years, and had a son, Roberto. The marriage ended in divorce.
Fiorenza sang with Maria Callas as early as 1957 in Gluck's Iphig'enie en Tauride, and many times later, until Callas' last Norma in Paris. However, at the last performance, right after their duet, Callas canceled the rest of the performance. Some claim that Cossotto intentionally sabotaged Callas by over-singing her and holding high notes longer when the latter's voice (by that time - 1965

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Fiorenza Cossotto Latest News

Remembering a poet with music

The soprano Leontyne Price and mezzo soprano Fiorenza Cossotto are intense and ferocious all by themselves and during their duet. The young Luciano Pavarotti sings beautifully and movingly with his unique voice while Nicolai Ghiaurov – one of the most ...
Posted: March 16, 2016, 7:06 am


incongruously gotten up in a pink robe as if he were about to play the Mikado rather than the Ethiopian king Amonasro, contributed solidly to the Nile Scene. And Fiorenza Cossotto, though in rather reedy voice throughout, made a vocally plausible Amneris.
Posted: January 3, 1985, 4:00 pm

La Favorite - Another Donizetti rarity gets a welcome revival

Regarded as one of Donizetti’s masterpieces throughout the 19th century and still popular in Italy today in a truncated version, its title-role that has been memorably assumed by great mezzo-sopranos such as Giulietta Simionato, Fiorenza Cossotto ...
Posted: March 17, 2016, 5:52 am
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